Fair warning, this will void the warranty. This isn’t workable for grading so Qazi had to get it turned off. The only tricky thing is that consumer OLEDs often have an automatic brightness limiter, which helps extend the lifespan of the panel. Having since moved to an OLED, which delivers perfect blacks, he loves how much contrast you can get. Even having worked with a Flanders Scientific monitor with perhaps the ultimate in color accuracy, the lower contrast ratio bugged him. Think about what happened with 4K displays.Ĭontrast ratio is declared to be among the most important specs to look at. He makes an interesting point by saying that SDR grading is still very common and that many displays will do Rec.709 just fine.Ĭonsidering that “true” HDR monitors for color grading are still very expensive it isn’t something worth the investment just yet when good, reasonably-priced SDR monitors are available. Professional colorist Waqas Qazi breakdowns the key things to look for in monitors and how to set them up properly for grading in DaVinci Resolve.īasically Qazi gets into what most of us should be looking for in a new display.

However, a vast majority of us won’t have access to those $30,000 displays for most of our projects, even smaller media companies who are working on branded content.

Displays for color-critical work can get to quite insane prices for serious productions, say if you were working on a Netflix Original. If you can’t accurately see what you are editing you can’t know whether what changes you make are right. When you are getting ready to do your color grading the most important tool is your monitor.

Davinci resolve 17 color grading